Folklore, ancient or modern, is one of the major foundation stones of the Discworld books. Human nature being another, one assumes. Discworld folklore is a trivia test among Discworld fans who will slyly ask one another [generally over a pint], if they can identify the origins of a certain figure or idea. With some slight discrepancies between UK and North American versions, such exchanges can become, well, spirited. "Elves or elfs?" is always good for starting an evening.

Pratchett and Simpson sort all this out - and much else besides - in this delightful work on matters folklorish. Typically, the prompt for the book was Pratchett chanting as he signed a previous release: "How many versions of the Magpie Song do you know?" A distinguished-looking lady gave the query a moment's thought and responded "about nineteen" Thus began the wonderful collaboration leading to FoD. It's typical also of the theme of the book. Discworld and Roundworld [Earth] are linked by the universal presence of narrativium, which Dimitri Mendeleev inexplicably omitted from the Periodic Table. Pratchett knows all about narrativium, carefully explaining how it drifts between universes, carrying ideas or stimulating new ones. Folklore on the Discworld compared to that of Earth may demonstrate strong similarities, or just vague likenesses that have been severely modified. The process is unhelpful, the authors note, in determining which world is the source of the story, which is sometimes a let-down.

The book's organisation is appropriate for what it must cover - it begins with the entire universe. From there it works its way through Dwarfs and Elves, giving us an interesting account of how the Elves, feared and despised on Discworld for their dark and evil ways, have somehow become transformed in modern times into charming little creatures who make toys for children. Drifting through space, narrativium must form some bizarre isotopes. The two witch types - those from Lancre and the Witches of the Chalk Downs are described. The Nac Mac Feegle are given a full chapter, which might be viewed as insufficient as you read it. Granny Aching truly deserves a book of her own. The chapter on Heroes is extensive, justifiably, when you discover the variety of Heroes Pratchett has introduced to us. Finally, almost as icing on a delicious cake, the authors provide a "Bibliography and Suggestions for Further Reading". Plan your book budget carefully.

For those in North America who think this book might be too limited in scope to be worth the investment, think carefully of your own family ancestry. While much of the material is limited to the British Isles, no small part is derived from the rest of Europe and elsewhere. Those tales and legends your ancestors took on board ship to cross the Atlantic didn't go over the rail with breakfast at the first roll of the vessels on the high seas. Those stories survived to take root here and sprout new versions of themselves in the new environment. Go through this book and see if you can't find a few you recognise. Besides the bloody elves and the obese bloke with the demented laugh. [stephen a. haines - Ottawa, Canada]

"A story about a boy and his dog for grownups", that is how the author described this book.

I had the pleasure of hearing Mr. Wroblewski speak last night and found his thoughts very interesting and I believe worth sharing here. If I make an error in memory I apologize. He did not share the plot of his book and believes that novels should be experienced, as intended, by being read, not selectively exposed by others. He very politely declined to even share what type of dog he owns as he did not want readers to have any pre-conceived ideas about how the fictional breed of Sawtelle dogs in the book were imagined. He spoke of creating this story that is haunted by another story in 5 acts. And when he did read from the work he chose to read the chapter entitled "Almondine".

I have been posting my comments on books here for over 10 years. In all that time I cannot place another debut work by a writer above this remarkable work by Mr. Wroblewski. Another debut that comes to mind is Jeffrey Lent's first work "In The Fall", also a novel, and "All Over But The Shoutin" by Rick Bragg. The latter was non-fiction but his writing and story-telling skills were and remain extraordinary.

So the best I can do here is to recommend the book without qualification, to give nothing of the story away. You need only to love a wonderful story by a man who is passionate about what he writes who has given readers a book that I believe will be honored with literary awards in the near term and will be read as a classic American Novel a century from now.

Leave it to James Howard Kunstler, visionary author of The Long Emergency, to write the first great novel set in a possible Peak Oil future. Expanding on the main themes of his previous book and adapting them for dramatic impact, Kunstler tells a simple story that is simultaneously frightening and yet a bit hopeful. Surprisingly considering that detractors think he is far too pessimistic, World Made by Hand is light and airy compared to say, the utter bleakness of Cormac McCarthy's The Road.

The setting is upstate New York, an area that Kunstler is convinced will survive the oil crash a bit better that the rest of the country. His hero is a former software executive turned carpenter eking out a barely more than subsistence living with his fellow townies. The outside world has become unknown to them as their only sources of news are in the form of travelers' tales and rumors. The status quo of their humdrum lives is shaken up when a new religious sect moves into town and a boatload of local traders goes missing.

Kunstler is a deft writer capable of spinning scenes both moving and dramatic. He also avoids obvious clichés. His religious cult leader turns out to be an okay guy and the inevitable strong arm militia is discovered to be greedily pathetic rather than omnipotent. The one quibble I have about the novel is its small scale. Given the grandiosity of The Long Emergency and its predictions for the future of the world this was a bit surprising. But it in no way detracts from what is an effective and well told story.